WilliamByrdV1, Main, Exploration, bibRecord, 000314

Spatial effects in English instrumental consort music, c.1560–1605

Identifieur interne : 000314 ( Main/Exploration ); précédent : 000313; suivant : 000315

Spatial effects in English instrumental consort music, c.1560–1605

Auteurs : Richard Rastall [Royaume-Uni]

Source :

Early Music [ 0306-1078 ] ; 1997.

RBID : ISTEX:A7DD8F3C3C691D25ED7FD2073147B2B8EB9399E4

English descriptors

Entity :
- geog : Ill.
- org : Fondazione Italiana, National Portrait Gallery, Rinaldo Alessandrini EXHIBITION OF MUSIC INSTRUMENTS, University of Leeds.
- pers : A. Bemardini, A. Damiani, A. Grazzi, Arthur Fiacco, B. Sparti, C. Bayle, C. Cavina, C. Dionisi, C. Mas, C. Rufa, Carol Lieberman, Carol Wilson, Clement Woodcock, D. Poulton, David Schrader, David Wyn, E. Gatti, E. Green, EMI Finchcocks, Edward Blankes, Enrico Gatti, F. Maschio, G. Morini, G. Pacchioni, Gallery, George Whitehead, Giles Hoby, Henry Stonings, Henry Umpton, Henry Unton, I. Morehen, J. Tyson, Jan Breughel, John Abberger, John Bryan, John Dowland, John Irving, John Melz, John Morehen, John Shepherd, John Solum, John Souch, John Steele, John Taylor, Judith Nelson, Judson, L. Alvini, L. Baert, L. Scoppola, Linda Skemick, M. Bucton, M. De Martini, M. Galassi, M. Giles, M. Henry, M. John, M. Nicholas, M.Mus, Mallory William, Mark Bleeke, Mark Kroll, Neighbour, Nicholas Griffiths, P. Bovi, P. Cartosio, P. Doe, P. Fomemagi, P. Pandolfo, P.O Box, Parsons, Patrice Connelly, Paul Everett, Philip van Wilder, R. Alessandrini, R. Bertini, R. Ehrlich, R. Spencer, Richard Burnett, Richard Savino, Richard Wyton, Robert Johnson, Robert Parsons, Roma Telefax, S. Balestracci, S. Bragetti, S. McCoy, S. Pogelli, Shelley Gruskin, Steven Zohn, The, Thomas Collier, Thomas Freas, Thomas Sefcovic, U. Sieferle, V. Daniels, W. Drake, William Byrd.
- place : Australia, CT, Cambridge, Chichester, Denmark, Italy, Jerusalem, London, Rottenburgh, Urbino, Warwick.
Teeft :
- Adjacent voice, Anomalous piece, Antiphonal, Antiphonal effect, Antiphony, Aural, Aural clarity, Aural confusion, Bass player, Bass viol, Bass violist, Bayle folk dance, British library, Cambridge music handbook, Centre, Clear indication, Clef, Clement woodcock, Concert performance, Consort, Different layout, Directional distinction, Dowland, Early music, English source, Exchange material, Fantasia, Galiard, Galliard, Good ensemble, Great majority, Henry unton, Historical keyboard instrument, Iconographical evidence, Imitative point, Individual piece, Individual voice, Instrumental consort, Instrumental music, John dowland, John lachrimae, John morehen, Lachrimae, Layout, Long side, Lute, Majority disposition, Middle voice, More important, Musica britannica, Musical resource, Nomine, Normal disposition, Oliver neighbour, Opening bar, Original disposition, Other voice, Parson, Partbooks, Physical disposition, Player nearest, Popular work, Repertory, Robert parson, Same clef, Same pitch, Same range, Seating disposition, Seaven teares, Second entry, Single movement, Spatial disposition, Spatial separation, Subsidiary line, Table format, Tenor, Tenor part, Tenor viol, Thomas galliard, Treble, Treble instrument, Unton picture, Viol, Vocal music, Vocal piece, William byrd, Woodcock.

Url:

https://api.istex.fr/ark:/67375/HXZ-5JB3B2DS-R/fulltext.pdf

DOI: 10.1093/earlyj/XXV.2.269

Affiliations:

Links toward previous steps (curation, corpus...)

to stream Main, to step Corpus: 000574
to stream Main, to step Curation: 000569

Le document en format XML

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<term>Rinaldo Alessandrini EXHIBITION OF MUSIC INSTRUMENTS</term>
<term>University of Leeds</term>
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<keywords scheme="Entity" type="pers" xml:lang="en"><term>A. Bemardini</term>
<term>A. Damiani</term>
<term>A. Grazzi</term>
<term>Arthur Fiacco</term>
<term>B. Sparti</term>
<term>C. Bayle</term>
<term>C. Cavina</term>
<term>C. Dionisi</term>
<term>C. Mas</term>
<term>C. Rufa</term>
<term>Carol Lieberman</term>
<term>Carol Wilson</term>
<term>Clement Woodcock</term>
<term>D. Poulton</term>
<term>David Schrader</term>
<term>David Wyn</term>
<term>E. Gatti</term>
<term>E. Green</term>
<term>EMI Finchcocks</term>
<term>Edward Blankes</term>
<term>Enrico Gatti</term>
<term>F. Maschio</term>
<term>G. Morini</term>
<term>G. Pacchioni</term>
<term>Gallery</term>
<term>George Whitehead</term>
<term>Giles Hoby</term>
<term>Henry Stonings</term>
<term>Henry Umpton</term>
<term>Henry Unton</term>
<term>I. Morehen</term>
<term>J. Tyson</term>
<term>Jan Breughel</term>
<term>John Abberger</term>
<term>John Bryan</term>
<term>John Dowland</term>
<term>John Irving</term>
<term>John Melz</term>
<term>John Morehen</term>
<term>John Shepherd</term>
<term>John Solum</term>
<term>John Souch</term>
<term>John Steele</term>
<term>John Taylor</term>
<term>Judith Nelson</term>
<term>Judson</term>
<term>L. Alvini</term>
<term>L. Baert</term>
<term>L. Scoppola</term>
<term>Linda Skemick</term>
<term>M. Bucton</term>
<term>M. De Martini</term>
<term>M. Galassi</term>
<term>M. Giles</term>
<term>M. Henry</term>
<term>M. John</term>
<term>M. Nicholas</term>
<term>M.Mus</term>
<term>Mallory William</term>
<term>Mark Bleeke</term>
<term>Mark Kroll</term>
<term>Neighbour</term>
<term>Nicholas Griffiths</term>
<term>P. Bovi</term>
<term>P. Cartosio</term>
<term>P. Doe</term>
<term>P. Fomemagi</term>
<term>P. Pandolfo</term>
<term>P.O Box</term>
<term>Parsons</term>
<term>Patrice Connelly</term>
<term>Paul Everett</term>
<term>Philip van Wilder</term>
<term>R. Alessandrini</term>
<term>R. Bertini</term>
<term>R. Ehrlich</term>
<term>R. Spencer</term>
<term>Richard Burnett</term>
<term>Richard Savino</term>
<term>Richard Wyton</term>
<term>Robert Johnson</term>
<term>Robert Parsons</term>
<term>Roma Telefax</term>
<term>S. Balestracci</term>
<term>S. Bragetti</term>
<term>S. McCoy</term>
<term>S. Pogelli</term>
<term>Shelley Gruskin</term>
<term>Steven Zohn</term>
<term>The</term>
<term>Thomas Collier</term>
<term>Thomas Freas</term>
<term>Thomas Sefcovic</term>
<term>U. Sieferle</term>
<term>V. Daniels</term>
<term>W. Drake</term>
<term>William Byrd</term>
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<keywords scheme="Entity" type="place" xml:lang="en"><term>Australia</term>
<term>CT</term>
<term>Cambridge</term>
<term>Chichester</term>
<term>Denmark</term>
<term>Italy</term>
<term>Jerusalem</term>
<term>London</term>
<term>Rottenburgh</term>
<term>Urbino</term>
<term>Warwick</term>
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<keywords scheme="Teeft" xml:lang="en"><term>Adjacent voice</term>
<term>Anomalous piece</term>
<term>Antiphonal</term>
<term>Antiphonal effect</term>
<term>Antiphony</term>
<term>Aural</term>
<term>Aural clarity</term>
<term>Aural confusion</term>
<term>Bass player</term>
<term>Bass viol</term>
<term>Bass violist</term>
<term>Bayle folk dance</term>
<term>British library</term>
<term>Cambridge music handbook</term>
<term>Centre</term>
<term>Clear indication</term>
<term>Clef</term>
<term>Clement woodcock</term>
<term>Concert performance</term>
<term>Consort</term>
<term>Different layout</term>
<term>Directional distinction</term>
<term>Dowland</term>
<term>Early music</term>
<term>English source</term>
<term>Exchange material</term>
<term>Fantasia</term>
<term>Galiard</term>
<term>Galliard</term>
<term>Good ensemble</term>
<term>Great majority</term>
<term>Henry unton</term>
<term>Historical keyboard instrument</term>
<term>Iconographical evidence</term>
<term>Imitative point</term>
<term>Individual piece</term>
<term>Individual voice</term>
<term>Instrumental consort</term>
<term>Instrumental music</term>
<term>John dowland</term>
<term>John lachrimae</term>
<term>John morehen</term>
<term>Lachrimae</term>
<term>Layout</term>
<term>Long side</term>
<term>Lute</term>
<term>Majority disposition</term>
<term>Middle voice</term>
<term>More important</term>
<term>Musica britannica</term>
<term>Musical resource</term>
<term>Nomine</term>
<term>Normal disposition</term>
<term>Oliver neighbour</term>
<term>Opening bar</term>
<term>Original disposition</term>
<term>Other voice</term>
<term>Parson</term>
<term>Partbooks</term>
<term>Physical disposition</term>
<term>Player nearest</term>
<term>Popular work</term>
<term>Repertory</term>
<term>Robert parson</term>
<term>Same clef</term>
<term>Same pitch</term>
<term>Same range</term>
<term>Seating disposition</term>
<term>Seaven teares</term>
<term>Second entry</term>
<term>Single movement</term>
<term>Spatial disposition</term>
<term>Spatial separation</term>
<term>Subsidiary line</term>
<term>Table format</term>
<term>Tenor</term>
<term>Tenor part</term>
<term>Tenor viol</term>
<term>Thomas galliard</term>
<term>Treble</term>
<term>Treble instrument</term>
<term>Unton picture</term>
<term>Viol</term>
<term>Vocal music</term>
<term>Vocal piece</term>
<term>William byrd</term>
<term>Woodcock</term>
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Spatial effects in English instrumental consort music, c.1560–1605

Spatial effects in English instrumental consort music, c.1560–1605

Source :

English descriptors

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri